The dedicated Bass meter helps to keep the Boom in check and is a nice visual if you're, say, mixing away from your favorite subwoofers. The "Boom" sub-bass emphasis offers a means to quickly tune a kick drum to the key of a song: the frequency knob controls the impact of the resonant low-pass filter and is measured in Hz, but the tuning display below that knob displays the corresponding MIDI note value. Invariably, this rack found its way on to just about every two-bus or drum subgroup I could drop it on - such an easy way to add character and punch. A catch-all rack, featuring compression, transient shaping, harmonic distortion/coloration options, and a tunable sub-bass emphasis tool, Drum Buss is an instant go-to for drum tracks and loops. Sixth, the new Drum Buss audio effect sounds flat-out rad. It's nice to be able to quickly solo just the bass elements in a given subgroup or mix as well. When inserted on the master bus, I found that having this option helped to clean up stereo imaging and added extra power to flabby mixes.
Ableton live 10 theme driver#
While this should have been implemented a while ago (ahem), I'm glad it's finally been added! I still wish Live could read the Core Audio driver names from MacOS - but hey, there's always Live 11.įifth, again, not a super shiny feature, but the tweaks to the Utility device are massive - the Bass Mono switch and frequency selector help to keep mixes clean by converting the low frequencies in your mix to mono. This enhancement is yet another way that Ableton is making editing smarter - if I want to see the relationship between a complex chord, a bass line, and the kick drum, I can shift-select the clips and adjust as needed or experiment to satisfaction.įourth, you can finally assign custom names to your I/O in Live's preferences. With a quick shift-select of multiple clips, I can see the piano rolls of each clip in an editor view that allows me to gain a more comprehensive understanding of where my harmonic relationships are aligning or clashing - and it works in both the Session and Arrangement views. The third essential (if a bit "unsexy") addition I find myself using quite often, is the new ability to edit multiple MIDI clips simultaneously. Now if I'm playing along with an existing session (or trying to start something new) and hit on something nice, I just press Capture after the fact and move on. I can't count how many times I've paused when playing something spontaneous or inspired to hit record, only to then lose the idea (or the motivation). Second, the addition of a super useful new feature called Capture, which automatically grabs the last few measures of whatever you've played on your MIDI keyboard or controller, without having to press record. Among other techniques, I use Collections to constrain my available selections to a particular set of instruments and effects when writing new music, which helps to sharpen my attention and focus on the feel I want to obtain. Although not a comprehensive contextual tagging system ( à la NI's Komplete Kontrol ), the Collections "system" significantly focuses workflow. alc (Ableton Live clip) files - basically anything that is viewable within the browser - in a tidy, color-coded list that's also accessible from Ableton's Push.
The first is a simple one the addition of Collections to Live's browser helps keep your favorite devices, effects. In other words, Live has always helped you start cool new ideas and now includes even more smart tools, better enabling you to finish those ideas as well.Īlthough there are a ton of new features, in honor of the version number milestone, I'll focus on ten key aspects that have made the most significant improvements to my workflow (in no particular order). With the last two updates, in particular, it seems as if Ableton has focused on expanding that principle, while also building in workflow refinements that allow users to complete and deliver on those inspired ideas. Of course, Live isn't just a DAW in the conventional sense although it can be capably used to record audio and MIDI within (or outside of) a linear timeline, Live excels at being a platform for musical inspiration and idea generation.
Version 10 feels like an addition of significant fit, finish, and refinement to what has become a game-changing DAW.
Ableton live 10 theme update#
Ableton once again delivers a compelling update to their always imaginative music creation software suite, Live.
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